60s decade



1960

When she was sixteen, she moved with her parents to Paris: Joan stayed in America to pursue her music, and Pauline – the eldest sister – had married the artist Brice Marden. Details of Mimi’s first few months in Paris are hard to come by: she seems to have all but quit school, toured with a ballet troupe, and appeared in a film. 


1961


1962


1963

Mimi had promised her parents that whatever else, she would finish high school. Now that Dick had swept into her life everything else seemed totally unimportant, but she knew how important it was to her father and mother. After the secret marriage ceremony she had dutifully returned home to study her history lessons. It was a difficult time, and at one point the lovers were ready to flee. 

Dick was determined and so was I. I was determined to leave home, and Dick was determined to have me go with him. We were going to run away the first day of spring. Then my father went away to the States. He was going to go for two weeks, and I woke up in the middle of the night and decided I had better write him a letter, because I would be gone by the time he got back. I handed it to him and he said goodbye. And the next morning at 6 o'clock, a telegram came. The doorbell rang, and I thought, "Ohhh, he came back." I was sure he had returned. It said, "Tell Mimi she has made wrong choice and broken promise." And my mother came in my room completely confused "Mimi, maybe you can explain this..." The broken promise was that I would finish high school and the wrong choice was Dick. So then she begged me and pleaded that I stay and finish school ... I said, "Okay." So I stayed. Then there was a series of discussions with the family, with Dick trying to grab my hand on the top of the table while my father talked to us, and me trying to pull my hand away, and my father looking at our hands . . . My father was getting very serious and choked up; it was the first time my father said to my mother, "Joan, I need a drink." So after about the third or fourth meeting like this it was decided that indeed it would be better for the kids to get married rather than to live in sin. Dick and I left by train and then boat back to the states without my father's blessings, but with my mother's blessings, after I had finished my last high school exam, which my father gave to me the night before. He'd written all my book reports. I really did hate school. I did not do well in school and felt very inferior and strange about it. Mother said if I did all the exams they could wait for the results — I could leave town. At two in the morning we finished the last exam, and at six in the morning we got up to take the train. My mother took us and said, "Well kids, what can I do?" I was very torn, because she was very sad.

March - After months of trying to gain approval, Dick formally asks Albert Baez for permission to marry Mimi. Flattered and impressed with the upstart's manners (and knowing Mimi's 18th birthday was only weeks away), permission is granted. A summer wedding in Carmel, California is planned. Several months after Mimi's 18th birthday.


April - Somewhere about the middle of the month, although it makes sense closer to the end of the month, which would be Mimi's 18th birthday (the 30th), Mimi Baez and Richard Fariña are secretly married at town hall in Paris.


June - The dyslexic Mimi graduates from high school in Paris, thanks in part, according to Hajdu, to Dick - who wrote her book reports. 


21 June - Dick and Mimi set sail for NYC on the France. It takes five days. They live with Dick's father and step-mother for a short time in Brooklyn.


August - The Fariñas drive across country and land in Carmel Valley, California, where Joan lives. Mimi stays with Joan (who'd just railroaded in with Betsy Siggins) and Dick sleeps in a one-room cabin next door. Legend has it that Albert Baez didn't leave his room for several days before the wedding, and that a large number of those assembled would have been happier with a lynching.


21 August - Fariña, Joan Baez, along with her friend and assistant, Kim Chappell, Betsy Siggins, best man Thomas Pynchon and several others head for the Monterey County Fair for some rest and relaxation. Mimi stays behind with what would larter turn out to be appendicitis.




Excerpt from Baby, let me follow you down : the illustrated story of the Cambridge folk years by Eric Von Schmidt about the wedding:

"In Carmel, the Baez family's attention was not focused on Joan's most recent triumph, but on Mimi's marriage to Dick which they considered a disaster. After the concert tour with Dylan, Joan and Betsy Siggins headed for California. I went west with Joanie by train the summer that Dick and Mimi got married. (...) The day before the wedding we all drove up to the Baez house. Everyone was nervous. There was one side of the ballpark that said, "How can she do this? She's ruining her life." The other side said, "It'll be okay." Chit chat all day and into the night. Pauline and I took off for a party somewhere while the family cried a lot. The father didn't come out of his bedroom for three days or something like that. He was very serious about the wedding. Joan and Betsy were not big fans of Farina either, and it was a difficult time for the newlyweds. The couple was beginning to feel like outcasts. A large measure of acceptance finally came, but in the beginning, when they really needed it, there was none. His and my playing together really developed out of living in a one- room cabin in Carmel Highland. He was writing on a daily basis. He was up at six every morning. My own opinion is that he was taking quite a bit of speed. That's my opinion now — I had no idea then. He wrote hard all day long, worked and worked and worked. And I had no identity — nothing to do. I was very, very lost, and so was completely dedicated to him and Joanie who lived up the hill — which made me doubleidentityless. There was really nothing for me to hold on to. I took ballet classes, but he had to drive me, because I couldn't drive. I remained a thumbsucker until I was twenty-four, without an image of myself. During that year, he shot a deer, which we ate. We had no money. After the wedding, the whole family wasn't getting along. Joan couldn't stand Dick. My father couldn't stand him to begin with. Nobody liked each other and I was in the middle, not knowing what to do. "



24 August - The wedding takes place at the Baez family's rented house in nearby Portola Valley. Thomas Pynchon is best man. The Fariñas perform together in public for the first time, playing "Old blue". Shortly afterward, the Fariñas, broke and with the better part of the Baez family not speaking to them, start playing music seriously together to while away the time Dick doesn't spend writing his novel. They move into the cabin where Dick had been staying - Brett Weston's dinky converted photo studio, next door to Joan (said to be 10 De Los Helechos in Carmel Valley). About this time, in an effort to win over Joan, Dick suggests they do a book together, combining his series of "Little nothing poems" with her drawings to illustrate them. Efforts are made on both sides, but little comes of it.


Debbie Green said:  "I’d go over to their apartment, and they’d be writing, and Dick would be playing, and we’d just pick up guitars. They were very childlike and creative, laughing. They had a wonderful relationship.” 


1964

The Fariñas moved east to Cambridge in the fall of 1964 so Mimi could study dance at the Boston Conservatory.

1965


Farina says of whether she was surprised at Dylan’s going electric at the 1965 festival: “I don't think I was that involved. I don't think I was watching that carefully even to be surprised. I know a lot of people were. A lot of people were hurt and they felt this was the end of the folk era, this is sad. But it was progress of a kind.



Mimi Fariña about the 1965 Newport Folk Festival 


As is often the case in Newport in July, the morning had been overcast. The breezes blown in
from the sea had bathed the gospel singers in pearly grey light. By midday, the hope of resurrection gone, the sun boils down. It gets plain old New England hot. Perhaps that's why God made T-shirts, beer stands, and graced it all with New Folks Concerts. As the afternoon wore on, the heat and moisture began to combine and the clouds began to gather. Mimi and Dick Fariña looked particularly fragile under the building thunderheads. Delicate and small, they carried with them a stunning grace, a painful insecurity. They started their set with "Birmingham Sunday." Eric had said, "Why don't you do Birmingham Sunday?" and Dick did, his voice a bit strident, the pitch a touch unsure, but bravely, bravely, and then, suddenly, the skys opened up, and a summer shower was pelting down. Mimi was so intent on the music she simply didn't know what was happening. I thought people were getting up to leave ... I thought, "Oh, no we can't be that awful — my pessimistic point of view — and I was looking at him to see if we should stop because I thought people were splitting 'cause we weren't doing that well. 'Cause we were the newcomers and so on.
But he went on playing, and then he went on introducing another song — and I thought, "How could he do this? They're fed up!" And then people started taking their clothes off and I realized it was raining and the people were dancing. Dancing! Blue jeans sopping, T-shirts dripping, dripping into "Hard Loving Loser," "Reno, Nevada," anything that cooked, and then Bruce Langhorn was out there, and Fritz Richmond was out there, and everybody was dancing! God had stopped by Newport after all.




Pete Seeger about the 1965 Newport Folk Festival

While the Farinas did not use an electric band at Newport, they did bring along Langhorne and washtub bassist Fritz Richmond. Seeger is remembered for his vehemently negative reaction to Dylan’s electric show, attempting to cut the power cable with an axe, according to some accounts. Yet he could have hardly offered a more glowing, open-minded appraisal of the Farinas’ performance, which from his summary seems rather like a mini-preview of 1969’s Woodstock festival:
“Last summer I’ll never forget hearing them sing at the Newport Folk Festival. Dick Farina had a dulcimer on his knee, and Mimi, his wife, playing the guitar, and they had some other instruments playing with them. And they were going at it hot and heavy. It was the middle of the afternoon, and 7,000 people had been sitting out there in the hot sun, getting hotter and hotter, perspiration dripping down. And all of a sudden, the sky gets dark and one of these sudden summer thundershowers comes along. Rain just poured down. And Dick and Mimi, having just gotten on the stage, decided to keep on playing. Someone put an umbrella up over them to keep the instruments dry. And 7,000 people up front, they’d been waiting to hear them. They weren’t gonna leave. Well, I was standing backstage, and I peeked through the curtain there. And I saw a sight I'll never forget in all my life. Seven thousand people were getting soaking wet, and they said. What the heck, let’s get wet. They started stripping off their clothing and dancing to the music. It was a real rocking number with wonderful rhythm going. And there were people waving their shirts in the air and dancing all kinds of dances, women had stripped off their shirts, dancing in their bras. It was pandemonium. Seven thousand people dancing in the thundering rain, and Dick and Mimi pounding on. It was wonderful. (Two songs from that performance can be heard on the posthumous Richard & Mimi Farina compilation Memories.)


Newport Folk Festival, 1965


Newport Folk Festival, 1965





1966

Beach near Carmel, California, January 1966


"On a warm January day, Dick and Mimi and I spent some time on a small beach south of Carmel. I'm not in the habit of posing friends for formal portraits, but when Dick and Mimi sat together on a driftwood log, they looked as if they were sitting for a portrait. I aimed my camera, they looked at me, and I took this shot."  John Byrne Cooke

After Dick Fariña's death in April 1966, Mimi moved to San Francisco, to an apartment on one floor of what had formely been a private home on Telegraph Hill. 


Mimi Fariña at her home in Alta Street, 1966 | Photo by John Byrne Cooke | Source


Debbie Green and Mimi Fariña. Debbie Green taught Mimi's sister Joan Baez how to play the guitar beyond the simple strums. Debbie and Mimi were lifelong friends. Telegraph Hill, San Francisco, June 1966, Photo by John Byrne Cooke | Source





1967


In 1967 Mimi, her sister Joan, and their mother Joan Bridge Baez, were all arrested at the peace protest, and spent a short time in jail. 

Mimi Fariña and Joan Baez - released from jail in Oakland - October 26th 1967
Videos here

Mimi Fariña and Joan Baez - released from jail in Oakland - October 26th 1967


1968


25 July 1968 - Mimi performs opening night at the Newport Folk Festival

In 1968, Mimi married with Milan Melvin. Their marriage lasted 2 years, they got divorced in 1970. 

Milan Melvin and Mimi Fariña
Their 1st wedding anniversary at the
The Big Sur Folk Festival - September 1969
Photo by Robert Altman


In 1968, Mimi married her second husband, Milan Melvin who had previously been with Janis Joplin.
Mimi and Milan got married at the on the morning of the opening day of the 1968 Big Sur Folk Festival, which was held on the grounds of the Esalen Institute. Milan wore a velvet suit, his long, lustrous black hair cascading over his shoulders, and Mimi, lovevly in her white Linda Gravenited, wore a crown of daisies. 

Though the marriage was not to last, it did cause some bad blood between Janis and Mimi that was heightened by Mimi having one of Janis’s friends - Linda Gravenites, a designer (who also made dresses for Janis' stage act) make her wedding dress. For Janis, that was the last straw. Linda created the appliqué with a beaded lace train that is seen in all the photos of Mimi's wedding with Milan.

Milan and Mimi moved into his apartment atop Telegraph Hill.
Mimi settled into the role of housewife and was not active musically- only one credit to "Mimi Fariña Melvin" appears on record, on Joan's David's Album, where the sisters sing "Poor Wayfaring Stranger." The marriage did not last. 


Mimi later came to regard the marriage as a "a cop-out:" I was rescuing myself from having to face life alone again...It was just at that time that my life finally began developing on its own.

Mimi began to grow as a person in ways that she had never been able to with the willful Richard Fariña. She learned to drive a car, got involved in The Committee, and, as Baez put it, “since she didn't have much of an identity outside of Dick and me, and then Milan, she began to create one. 

"Mimi began to see a therapist and dig deep down into the fabric of her undiscovered self"

Suddenly, and miraculously, I began writing songs and finnaly got a driver's license and started to get around." She also returned to the surname Fariña - perhaps a symbolic act. "I'll always love Dick," she recalled years later. "He was an impossible act to follow."


The marriage ended in divorce after three years, and Milan was soon back in Janis’s life, though not as before. They were occasional lovers, nothing more.
Many sources say Mimi and Milan separated after two years, while Mimi stated that they were married three years and broke up when she was 25. 

Though his relationship with Janis would continue intermittently, Milan says, “There was some sort of a break for a while between us, I guess it was when i was getting married and being with Mimi Fariña or something.” 

(uau..."or something"...i don't like how distant and indiferent this sounds...)


He became a scuba diving instructor in Mexico. 

Milan died the same year as Mimi, in October 6th, 2001 due to a pancreatic cancer.
He has an autobriography book called: Highlights of a Lowlife: The Autobiography of Milan Melvin







19 November - "All the world has gone by" is copyrighted by Mimi, with "rev. and new lyrics".



1969



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